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ZENGQI GUO

 
Hi, I’m Zoey.

I’m a designer.

I hold an MFA in Graphic Design from the Rhode Island School of Design and a BFA in Environmental Design from Beijing University of Technology.

I enjoy moving between experimental projects and practical, real-world design work.

I do 
︎︎︎Brand Identity
︎︎︎Digital Marketing
︎︎︎Editorial Design
︎︎︎Art Teaching
︎︎︎Type Design
︎︎︎3D Works

Resumé and trail fonts are available upon request.
Email: zengqiguo96@gmail.com

TYPOGRAPHY 


Although the Clockwork Orange movie and novel are very similar in many plots, the different treatments of the ending by the Burgess and Kubrick represent their different opinions on the final judgment of mankind. Kubrick cut out Chapter 21 of the original novel and ended the movie with Chapter 20. This ending implies an inevitable evil, rejection of neutrality, and even contempt for what Burgess insisted on—the importance of the free will. Burgess argues that the necessity of chapter 21 is that it doesn't matter whether they are evil or good, they can coexist, but what matters is freedom and moral choice. It’s the juxtaposition in human nature.

Text face: Selene Text

︎ A Clockwork Orange