ZENGQI GUO 郭增琪

Graphic designer, calligrapher, illustrator, landscape architect based in Providence RI and China.

RISD GD MFA, Class of 2022

Zengqi has strong interests in branding, typography, type design, and making weird and funny things. When not working and studying, she likes laughing, cooking, eating, and watching all kinds of movies, maybe playing the guitar for a while.

|平面設計|字體設計|插畫|景觀建築|書法|畫王八


E-mail: zguo02@risd.edu







TYPOGRAPHY

Although the Clockwork Orange movie and novel are very similar in many plots, the different treatments of the ending by the Burgess and Kubrick represent their different opinions on the final judgment of mankind. Kubrick cut out Chapter 21 of the original novel and ended the movie with Chapter 20. This ending implies an inevitable evil, rejection of neutrality, and even a contempt for what Burgess insisted on—importance of the free will. Burgess argues that the necessity of chapter 21 is that it doesn't matter whether they are evil or good, they can coexist, but what matters is freedom and moral choice. It’s the juxtaposition in human nature.

Text face: Selene

︎ A Clockwork Orange